{"id":8,"date":"2013-03-04T00:48:36","date_gmt":"2013-03-04T08:48:36","guid":{"rendered":"http:\/\/alexanderlafollett.com\/site\/?page_id=8"},"modified":"2026-11-12T03:13:48","modified_gmt":"2026-11-12T11:13:48","slug":"music","status":"publish","type":"page","link":"https:\/\/alexanderlafollett.com\/site\/music\/","title":{"rendered":"Music"},"content":{"rendered":"

Albums<\/h4>\n

Layercake\u00a0<\/em>(September 29, 2026)<\/a><\/p>\n

\"Layercake<\/a><\/p>\n

Canvouver<\/em> (November 3, 2023)<\/a><\/p>\n

\"Canvouver<\/a><\/p>\n

Electrical Gremlin<\/em> (April 7, 2023)<\/a><\/p>\n

\"Electrical<\/a><\/p>\n

“Classical” Works<\/h4>\n

Clicking on a work name will take you to a details page, with further information about the piece.<\/p>\n

Interested in performing one of these works or commissioning a new one?<\/em> Contact me for further details.<\/a><\/p>\n

List of Works by Type<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
LARGE ENSEMBLE<\/th>\n<\/tr>\n
Orchestra<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Neon, Op. 50<\/a> \"speaker\"<\/td>\n2013<\/td>\n3333 \u2013 4320 \u2013 timp + 1 perc. – celesta \u2013 harp – strings<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Fluorine, Op. 49<\/a><\/td>\n2013<\/td>\n3333 \u2013 4331 \u2013 timp + 3 perc. – harp – strings<\/td>\n4′<\/td>\n<\/tr>\n
Score Sample: [1]<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Oxygen, Op. 48<\/a><\/td>\n2013<\/td>\n3333 \u2013 4330 \u2013 timp. + 3 perc. – celesta – harp – strings<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Nitrogen, Op. 47<\/a> \"speaker\"<\/td>\n2013<\/td>\n3333 \u2013 4300 \u2013 harp – strings<\/td>\n7′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Carbon, Op. 46<\/a><\/td>\n2013<\/td>\n3333 \u2013 4332 \u2013 timp. + 3 perc. – celesta \u2013 harp – strings<\/td>\n7′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Boron, Op. 45<\/a><\/td>\n2013<\/td>\n3333 \u2013 4331 \u2013 timp + 1 perc. – strings<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Beryllium, Op. 44<\/a> \"speaker\"<\/td>\n2013<\/td>\n3333 \u2013 4330 \u2013 timp. + 2 perc. – celesta \u2013 harp – strings<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Lithium, Op. 43<\/a> \"speaker\"<\/td>\n2013<\/td>\n3333 \u2013 4331 \u2013 timp. + 4 perc. – celesta \u2013 harp – strings<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Helium, Op. 25<\/a> \"speaker\"<\/td>\n2006<\/td>\n3322 \u2013 0000 \u2013 4 perc. – harp – strings<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Hydrogen, Op. 24<\/a> \"speaker\"<\/td>\n2006<\/td>\n3333 \u2013 4331 \u2013 Timp. + 4 perc. – celesta \u2013 harp \u2013 strings<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Two Overtures, Op. 4<\/a><\/td>\n2001<\/td>\norchestra<\/td>\n10′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Orchestra<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Symphony No. 1 in C\u266f Locrian, Op. 58 \"speaker\"<\/a><\/td>\n2019<\/td>\nstring orchestra<\/td>\n23′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Threnody for Strings, Op. 16 \"speaker\"<\/a><\/td>\n2004<\/td>\nstring orchestra<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Variations on a Suzuki Theme, Op. 1<\/a><\/td>\n2000<\/td>\nstring orchestra + piano + 2 perc.<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Chamber Orchestra<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Gray Egg Music, Op. 35 \"speaker\"<\/a><\/td>\n2010<\/td>\n1111 \u2013 1110 \u2013 timp. – strings (1111)<\/td>\n12′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Other<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Gr\u00fcn Aluminum, Op. 31<\/a><\/td>\n2007<\/td>\nBalinese gamelan<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Chartreuse Aluminum, Op. 28<\/a><\/td>\n2007<\/td>\nBalinese gamelan and percussion quartet<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
CHAMBER<\/th>\n<\/tr>\n
Strings<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
String Quartet No. 13 in F\u266f Phrygian, Op. 53<\/a><\/td>\n2014<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Sextet No. 1 in A Dorian, Op. 51<\/a><\/td>\n2013<\/td>\nstring sextet (2 vln, 2 vla, 2 vc)<\/td>\n10′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 12 in A\u266d Dolopian, Op. 42<\/a> \"speaker\"<\/td>\n2013<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n13′<\/td>\n<\/tr>\n
Commissioned by Third Angle New Music<\/a> for the 2013 Russell New Ideas in Music Competition<\/em><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 11 in C\u266f Thasian, Op. 39<\/a><\/td>\n2012<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n20′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Movimento angoscioso<\/td>\n2007<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 10 in E Melian, “in tempore belli”, Op. 27<\/a> \"speaker\"<\/td>\n2006<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n7′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 9 in B Anticyran, Op. 23<\/a><\/td>\n2005<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n7′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 8 in F Mixolydian, Op. 22<\/a><\/td>\n2005<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n18′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 7 in E\u266d Cymean, “Mechanical”, Op. 21<\/a><\/td>\n2005<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n22′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 6 in A Dardanian, Op. 15<\/a><\/td>\n2004<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n11′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 5 in B\u266d Mixolydian, “Detuned”, Op. 14<\/a><\/td>\n2004<\/td>\nstring quartet (2 vln, 1 vla, 1 vc) in scordatura<\/td>\n13′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 4 in D Dorian, Op. 12<\/a><\/td>\n2004<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n24′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 3 in C Thracian, “Goldendale”, Op. 11<\/a><\/td>\n2003<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n10′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 2 in G Spartan, “Pathetique”, Op. 9<\/a><\/td>\n2003<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n17′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
String Quartet No. 1 in F\u266f Dorian, “Forest”, Op. 6<\/a><\/td>\n2002<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n18′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Strings with Piano<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Piano Trio No. 1 in G Dardanian, Op. 54<\/a><\/td>\n2015<\/td>\npiano trio (vln, vc, pno)<\/td>\n9′<\/td>\n<\/tr>\n
Winner, fEARnoMUSIC Locally Sourced Sounds Call for Scores, 2015<\/em><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Wind\/Brass<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Cyan Egg Music, Op. 59 <\/a>\"speaker\"<\/a><\/td>\n2019<\/td>\nflute, alto saxophone, horn<\/td>\n9′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Intrada and Waltz, Op. 38<\/a><\/td>\n2012<\/td>\n3 trumpets<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Aj\u00ed Brujo, Op. 37<\/a><\/td>\n2012<\/td>\nsaxophone quartet (SATB)<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Percussion<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Suite Rythmique No. 2, Op. 17<\/a><\/td>\n2005<\/td>\npercussion quartet (playing music stands)<\/td>\n2′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Suite Rythmique No. 1, Op. 8<\/a><\/td>\n2003<\/td>\npercussion quintet<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Mixed (with piano)<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Opuntia, Op. 56<\/a><\/td>\n2018<\/td>\nflute, alto saxophone, violoncello, and piano<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Saccharine (Sextet No. 1), Op. 29<\/a> \"speaker\"<\/td>\n2007<\/td>\nflute, clarinet, violin, violoncello, percussion, and piano<\/td>\n15′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Asymmetrical Dances, Vol. 3, Op. 19<\/a><\/td>\n2005<\/td>\nflute, oboe, clarinet, bassoon, violin, marimba, and piano<\/td>\n8′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Asymmetrical Dances, Vol. 2, Op. 13<\/a><\/td>\n2004<\/td>\noboe, violin, violoncello, vibraphone, and piano<\/td>\n13′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Quintet No. 1 for Marimba, Piano and Strings, Op. 7<\/a> \"speaker\"<\/td>\n2002<\/td>\nviolin, viola, violoncello, marimba, and piano<\/td>\n6′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Asymmetrical Dances, Vol. 1, Op. 5<\/a><\/td>\n2002<\/td>\noboe, bassoon, violin, xylophone, and piano<\/td>\n10′<\/td>\n<\/tr>\n
Winner, Oregon Symphony Conti Connection Competition, 2004<\/em><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Nocturne, Op. 2<\/a> \"speaker\"<\/td>\n2001<\/td>\nclarinet, violoncello, and piano<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Mixed (with celesta)<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
The Dryad Arsonist: 10 miniatures for 9 instruments, Op. 40<\/a><\/td>\n2012<\/td>\nsoprano sax, English horn, bass clarinet, marimba, harp, celesta, violin, viola, and violoncello<\/td>\n12′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Dust, Op. 36<\/a> \"speaker\"<\/td>\n2011<\/td>\nflute, horn, violin, viola, violoncello, and celesta<\/td>\n12′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Mixed (without keyboard)<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Polygonal Cephalopod, Op. 34<\/a><\/td>\n2009<\/td>\nclarinet, violin, viola, violoncello, electric guitar, electric bass, drums<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Subsonic Quartet No. 1, Op. 20<\/a><\/td>\n2005<\/td>\nbass clarinet, baritone sax, contrabassoon, contrabass<\/td>\n3′<\/td>\n<\/tr>\n
Commissioned by Lauren Rosenkranz and SCI-CWU<\/em><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
SOLO AND DUO<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Modal Tangos, Op. 57<\/a><\/td>\n2019<\/td>\npiano (four hands)<\/td>\n11′<\/td>\n<\/tr>\n
Commissioned by the Rizzo\/Wheeler Duo<\/em><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Oboe Sonata No. 1 in B Mixolydian, Op. 55<\/a><\/td>\n2016<\/td>\noboe and piano<\/td>\n11′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Violin Sonata No. 1 in E Rhodian, Op. 52<\/a>\"speaker\"<\/td>\n2014<\/td>\nviolin and piano<\/td>\n11′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Modal Preludes, Vol. 2, Op. 41<\/a><\/td>\n2012<\/td>\nsolo piano<\/td>\n14′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
4 Sketches, Op. 32<\/a><\/td>\n2008<\/td>\nsolo piano<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Modal Preludes, Vol. 1, Op. 30 <\/a>\"speaker\"<\/td>\n2007<\/td>\nsolo piano<\/td>\n5′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Suite No. 1 for Unaccompanied Violoncello, Op. 18 (2005)<\/a><\/td>\n2005<\/td>\nsolo violoncello<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Mountain Air, Op. 3<\/a><\/td>\n2001<\/td>\nvioloncello and piano<\/td>\n4′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
ELECTRONIC<\/th>\n<\/tr>\n
TITLE<\/td>\nDATE<\/td>\nINSTRUMENTATION<\/td>\nDURATION<\/td>\n<\/tr>\n
Antichrony, Op. 33<\/a>\"speaker\"<\/td>\n2009<\/td>\n2-channel digital audio<\/td>\n8′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Electron Sonata No. 2, “Earthlight”, Op. 26<\/a>\"speaker\"<\/td>\n2006<\/td>\n2-channel digital audio<\/td>\n7′<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
Electron Sonata No. 1, “Two”, Op. 10<\/a><\/td>\n2003<\/td>\n2-channel digital audio<\/td>\n6′<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

CHRONOLOGICAL LISTING<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Cyan Egg Music, Op. 59 <\/a>\"speaker\"<\/a><\/td>\n2019<\/td>\nflute, alto saxophone, horn<\/td>\n9′<\/td>\n<\/tr>\n
Symphony No. 1 in C\u266f Locrian, Op. 58 <\/a>\"speaker\"<\/a><\/td>\n2019<\/td>\nstring orchestra<\/td>\n23′<\/td>\n<\/tr>\n
Modal Tangos, Op. 57<\/a><\/td>\n2019<\/td>\npiano (four hands) (also arranged for piano solo, as Op. 57a)<\/td>\n11′<\/td>\n<\/tr>\n
Opuntia, Op. 56<\/a><\/td>\n2018<\/td>\nflute, alto saxophone, violoncello, and piano<\/td>\n5′<\/td>\n<\/tr>\n
Oboe Sonata No. 1 in B Mixolydian, Op. 55<\/a><\/td>\n2016<\/td>\noboe and piano<\/td>\n11′<\/td>\n<\/tr>\n
Piano Trio No. 1 in G Dardanian, Op. 54 <\/a>\"speaker\"<\/a><\/td>\n2015<\/td>\npiano trio (vln, vc, pno)<\/td>\n9′<\/td>\n<\/tr>\n
String Quartet No. 13 in F\u266f Phrygian, Op. 53<\/a><\/td>\n2014<\/td>\nstring quartet (2 vln, 1 vla, 1 vc)<\/td>\n6′<\/td>\n<\/tr>\n
Violin Sonata No. 1 in E Rhodian, Op. 52<\/a>\"speaker\"<\/td>\n2014<\/td>\nviolin and piano<\/td>\n11′<\/td>\n<\/tr>\n
String Sextet No. 1 in A Dorian, Op. 51<\/a><\/td>\n2013<\/td>\nstring sextet (2 vln, 2 vla, 2 vc)<\/td>\n10′<\/td>\n<\/tr>\n
Neon, Op. 50<\/a> \"speaker\"<\/td>\n2013<\/td>\nlarge orchestra<\/td>\n6′<\/td>\n<\/tr>\n
Fluorine, Op. 49<\/a><\/td>\n2013<\/td>\nlarge orchestra<\/td>\n4′<\/td>\n<\/tr>\n
Oxygen, Op. 48<\/a><\/td>\n2013<\/td>\nlarge orchestra<\/td>\n6′<\/td>\n<\/tr>\n
Nitrogen, Op. 47<\/a>\"speaker\"<\/td>\n2013<\/td>\nlarge orchestra<\/td>\n7′<\/td>\n<\/tr>\n
Carbon, Op. 46<\/a><\/td>\n2013<\/td>\nlarge orchestra<\/td>\n7′<\/td>\n<\/tr>\n
Boron, Op. 45<\/a><\/td>\n2013<\/td>\nlarge orchestra<\/td>\n5′<\/td>\n<\/tr>\n
Beryllium, Op. 44<\/a> \"speaker\"<\/td>\n2013<\/td>\nlarge orchestra<\/td>\n6′<\/td>\n<\/tr>\n
Lithium, Op. 43<\/a> \"speaker\"<\/td>\n2013<\/td>\nlarge orchestra<\/td>\n4′<\/td>\n<\/tr>\n
String Quartet No. 12 in A\u266d Dolopian, Op. 42<\/a> \"speaker\"<\/td>\n2013<\/td>\nstring quartet<\/td>\n13′<\/td>\n<\/tr>\n
Modal Preludes, Vol. 2, Op. 41<\/a><\/td>\n2012<\/td>\nsolo piano<\/td>\n14′<\/td>\n<\/tr>\n
The Dryad Arsonist: 10 miniatures for 9 instruments, Op. 40<\/a><\/td>\n2012<\/td>\nsoprano sax, English horn, bass clarinet, marimba, harp, celesta, violin, viola, violoncello<\/td>\n12′<\/td>\n<\/tr>\n
String Quartet No. 11 in C\u266f Thasian, Op. 39<\/a><\/td>\n2012<\/td>\nstring quartet<\/td>\n20′<\/td>\n<\/tr>\n
Intrada and Waltz, Op. 38<\/a><\/td>\n2012<\/td>\n3 trumpets<\/td>\n5′<\/td>\n<\/tr>\n
Aji Brujo, Op. 37<\/a><\/td>\n2012<\/td>\nsaxophone quartet (SATB)<\/td>\n4′<\/td>\n<\/tr>\n
Dust, Op. 36<\/a> \"speaker\"<\/td>\n2011<\/td>\nflute, horn, violin, viola, violoncello, celesta<\/td>\n12′<\/td>\n<\/tr>\n
Gray Egg Music, Op. 35 \"speaker\"<\/a><\/td>\n2010<\/td>\nchamber orchestra<\/td>\n12′<\/td>\n<\/tr>\n
Polygonal Cephalopod, Op. 34<\/a><\/td>\n2009<\/td>\nclarinet, violin, viola, violoncello, electric guitar, electric bass, drums<\/td>\n5′<\/td>\n<\/tr>\n
Antichrony, Op. 33<\/a>\"speaker\"<\/td>\n2009<\/td>\n2-channel digital audio<\/td>\n8′<\/td>\n<\/tr>\n
4 Sketches, Op. 32<\/a><\/td>\n2008<\/td>\nsolo piano<\/td>\n5′<\/td>\n<\/tr>\n
Movimento angoscioso<\/td>\n2007<\/td>\nstring quartet<\/td>\n5′<\/td>\n<\/tr>\n
Grun Aluminum, Op. 31<\/a><\/td>\n2007<\/td>\nBalinese gamelan<\/td>\n5′<\/td>\n<\/tr>\n
Modal Preludes, Op. 30<\/a> \"speaker\"<\/td>\n2007<\/td>\nsolo piano<\/td>\n5′<\/td>\n<\/tr>\n
Saccharine (Sextet No. 1), Op. 29<\/a>\"speaker\"<\/td>\n2007<\/td>\nflute, clarinet, violin, violoncello, percussion, piano<\/td>\n15′<\/td>\n<\/tr>\n
Chartreuse Aluminum, Op. 28<\/a> \"speaker\"<\/td>\n2007<\/td>\nBalinese gamelan and percussion quartet<\/td>\n5′<\/td>\n<\/tr>\n
String Quartet No. 10 in E Aitolian, “in tempore belli”, Op. 27<\/a> \"speaker\"<\/td>\n2006<\/td>\nstring quartet<\/td>\n7′<\/td>\n<\/tr>\n
Electron Sonata No. 2, “Earthlight”, Op. 26<\/a> \"speaker\"<\/td>\n2006<\/td>\n2-channel digital audio<\/td>\n7′<\/td>\n<\/tr>\n
Helium, Op. 25<\/a> \"speaker\"<\/td>\n2006<\/td>\nlarge orchestra<\/td>\n4′<\/td>\n<\/tr>\n
Hydrogen, Op. 24<\/a> \"speaker\"<\/td>\n2006<\/td>\nlarge orchestra<\/td>\n4′<\/td>\n<\/tr>\n
String Quartet No. 9 in B Anticyran, Op. 23<\/a><\/td>\n2005<\/td>\nstring quartet<\/td>\n7′<\/td>\n<\/tr>\n
String Quartet No. 8 in F Mixolydian, Op. 22<\/a><\/td>\n2005<\/td>\nstring quartet<\/td>\n18′<\/td>\n<\/tr>\n
String Quartet No. 7 in E\u266d Cymean, “Mechanical”, Op. 21<\/a><\/td>\n2005<\/td>\nstring quartet<\/td>\n22′<\/td>\n<\/tr>\n
Subsonic Quartet No. 1, Op. 20<\/a><\/td>\n2005<\/td>\nbass clarinet, baritone sax, contrabassoon, contrabass<\/td>\n3′<\/td>\n<\/tr>\n
Asymmetrical Dances, Vol. 3, Op. 19<\/a><\/td>\n2005<\/td>\nflute, oboe, clarinet, bassoon, violin, marimba, piano<\/td>\n8′<\/td>\n<\/tr>\n
Suite Rythmique No. 2, Op. 17<\/a><\/td>\n2005<\/td>\npercussion quartet<\/td>\n2′<\/td>\n<\/tr>\n
Threnody for Strings, Op. 16<\/a><\/td>\n2005<\/td>\nstring orchestra<\/td>\n6′<\/td>\n<\/tr>\n
String Quartet No. 6 in A Dardanian, Op. 15<\/a><\/td>\n2004<\/td>\nstring quartet<\/td>\n11′<\/td>\n<\/tr>\n
String Quartet No. 5 in B\u266d Mixolydian, Op. 14<\/a><\/td>\n2004<\/td>\nstring quartet (in scordatura)<\/td>\n13′<\/td>\n<\/tr>\n
Asymmetrical Dances, Vol. 2, Op. 13<\/a><\/td>\n2004<\/td>\noboe, violin, violoncello, vibraphone, piano<\/td>\n13′<\/td>\n<\/tr>\n
String Quartet No. 4 in D Dorian, Op. 12<\/a><\/td>\n2004<\/td>\nstring quartet<\/td>\n24′<\/td>\n<\/tr>\n
String Quartet No. 3 in C Thracian, “Goldendale”, Op. 11<\/a><\/td>\n2003<\/td>\nstring quartet<\/td>\n10′<\/td>\n<\/tr>\n
Electron Sonata No. 1, “Two”, Op. 10<\/a><\/td>\n2003<\/td>\n2-channel digital audio<\/td>\n6′<\/td>\n<\/tr>\n
String Quartet No. 2 in G Spartan, “Pathetique”, Op. 9<\/a><\/td>\n2003<\/td>\nstring quartet<\/td>\n17′<\/td>\n<\/tr>\n
Suite Rythmique No. 1, Op. 8<\/a><\/td>\n2003<\/td>\npercussion quintet<\/td>\n6′<\/td>\n<\/tr>\n
Quintet No. 1 for Marimba, Piano, and Strings, Op. 7 \"speaker\"<\/a><\/td>\n2002<\/td>\nviolin, viola, violoncello, marimba, and piano<\/td>\n6′<\/td>\n<\/tr>\n
String Quartet No. 1 in F\u266f Dorian, “Forest”, Op. 6<\/a><\/td>\n2002<\/td>\nstring quartet<\/td>\n18′<\/td>\n<\/tr>\n
Asymmetrical Dances, Vol. 1, Op. 5<\/a><\/td>\n2002<\/td>\noboe, bassoon, violin, xylophone, piano<\/td>\n10′<\/td>\n<\/tr>\n
Two Overtures, Op. 4<\/a><\/td>\n2001<\/td>\nlarge orchestra<\/td>\n10′<\/td>\n<\/tr>\n
Mountain Air, Op. 3<\/a><\/td>\n2001<\/td>\nvioloncello and piano<\/td>\n4′<\/td>\n<\/tr>\n
Nocturne, Op. 2<\/a>\"speaker\"<\/td>\n2001<\/td>\nclarinet, violoncello, and piano<\/td>\n4′<\/td>\n<\/tr>\n
Variations on a Suzuki Theme, Op. 1<\/a><\/td>\n2000<\/td>\nstring orchestra, piano, 2 percussion<\/td>\n5′<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Albums Layercake\u00a0(September 29, 2026) Canvouver (November 3, 2023) Electrical Gremlin (April 7, 2023) “Classical” Works Clicking on a work name will take you to a details page, with further information about the piece. Interested in performing one of these works or commissioning a new one? Contact me for further details. List of Works by Type … <\/p>\n

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